Books in this list marked with
"E.M.L."
were among the books in Esther M. Lederberg's music library.
.
Esther M. Lederberg also liked to dance, herself.
.
Photographs Esther M. Lederberg took while visiting Siena,
during the Palio are related context to muscic and
dance of the Renaissance.
.
Books that focus upon Gilbert and Sullivan, a favorite
interest of Esther M. Lederberg are not included here,
although the music in the Gilbert and Sullivan ouvre
are known to be influenced by George Frideric Handel.
DVD or VHS Format
Whitley-Bauguess, Paige; Baird, Thomas; Musicians of the Baroque Arts Project;
"Dance of the French Baroque Theatre", 2005: DVD
.
Whitley-Bauguess, Paige; Baird, Thomas; Musicians of the Baroque Arts Project;
"Introduction to Baroque Dance", Two Volumes, 2005: DVD
.
Les Cavatines, Natalie van Parys, "The Art
of Baroque Dance: Folies d'Espagne
from Page to Stage", Dancetime Publications,
Kentfield, California
.
Téten, Carol; Dancetime Publications;
"How to Dance Through Time, Vol. III, 2003
"The Majesty of Renaissance Fance: Nido
d'Amore (The Nest of Love)"
.
Téten, Carol; Dancetime Publications;
"How to Dance Through Time, Vol. IV, 2003
"The Elegance of Baroque Social Dance:
Minuet, Allemande, Contredance"
.
Christie, William; Villégier, Jean-Marie;
Les Arts Florissants; "Atys", Lully
.
Orchestre, Choeurs & Danseurs du Poème Harmonique,
Dumestre, Vincent; Lazar, Benjamin; Skamletz, Gudrun;
"Cadmus & Hermione": tragédie lyrique,
musique de Jean-Baptiste Lully et livret de Philippe Quinault"
.
Dumestre, Vincent; Lazar, Benjamin; Roussat, Cécile;
"Le Bourgeois Gentilhomme": comédie-ballet
de Molière et musique de Jean-Baptiste Lully
.
Jarvis Conservatory, "Voltaire's 'Temple of Glory' :
A Delightful Journey into the Baroque Dance of 18th
Century France", Napa, Calif., 1996
.
Noverre, Jean-Georges; "Medea", 1780 version (ballet d'action),
Music by Jean-Joseph Rudolphe, Choreography by Judith Chazin-Bennahum,
University of New Mexico Depart. of Theatre and Dance, 2000
.
de Marivaux, Pierre de Carlet Chamblain; "Le Jeu de l'amour et du hasard"
("The Game of Love and Chance"), Comédie Italienne, 1730,
Michigan Classical Repertory Theatre, 2003
.
Goldoni, Carlo; "La locandiera"
("The Mistress of the Inn"), Commedia dell'arte, 1751,
Michigan Classical Repertory Theatre, 2002
Music: Suggested CDs
[Many great CDs could be cited aside from those below]
Bach, Johann Sebastian (March 31, 1685–July 28, 1750); "Trio Sonatas
for recorder, violin and basso continuo", Linsenberg, Judith (Arr.):
BWV 525-530, Musica Pacifica
Caccini, Giulio (c. 1550-1618); "Il Cantar D'Affetto",
Ansermet, Claudine (soprano), Cherici, Paolo (liuto)
.
Carissimi, Giacomo (1605-1674); "Historia de Jephte, Damnation,
Lamento", "Le Parlement de Musique", Gester, Martin (direction)
.
Couperin, François; "Les Concerts Royaux (1722): Le
Concert des Nations", Savall, Jordi
.
Flackton, William (1709-1798); "Viola Sonatas" (Handel, George
and Abel, Carl F.), Steely, Kathryn (viola); DeVries, Vincent de
(harpsichord); Steely, Adrienne (cello)
.
Peri, Jacopo (1609), Madrigali "Opera Omnia I", Anfuso, Nella
.
Lully, Jean-Baptiste (1632-1687); "Atys" Tragédie en 5
actes de Philippe Quinault, Christie, William (director)
.
Lully, Jean-Baptiste (1632-1687); "Ballet Music for the Sun King",
Aradia Baroque Ensemble
.
Monteverdi, Claudio (1567-1643); "Madrigali Guerrieri et Amorosi:
Libro Ottavo Integrale", diretto da Alessandrini, Rinaldo
.
Rameau, Jean-Philippe (1683-1764); "Cantatas: Orphée, Aquilon
et Orithie, Les Amants Trahis, Cantate pour le Jour de la Saint
Louis, Le Berfer Fidele, L'Impatience, Thetis, Air Vif", New Chamber
Opera Ensemble; Cooper, Gary
.
Strozzi, Barbara (1619-1676) and Fontei, Nicolò (d. c. 1674);
"A New Sappho", Favella Lyrica
DVD Operas at Drottningholm Palace Perspective-Theatre
Cimarosa, Domenico;
"Il Matrimonio Segreto"
(The Secret Marriage),
Drottningholm Court Theatre
(While the Drottningholm court theatre orchestra
is featured, this opera takes place at the Cologne
Opera house, NOT at the Drottningholm court theatre.)
.
Mozart, Wolfgang Amadeus;
"Cosi fan Tutti"
(They are all that Way),
Drottningholm Court Theatre
(Emphasis upon performers thus the Drottningholm
theatre is de-emphasized.)
.
Mozart, Wolfgang Amadeus;
"Die Entfuhrung aus dem Serail"
(The Abduction from the Seraglio),
Drottningholm Court Theatre
(Blind loges clearly seen, flats
painted to show linear-perspective, emphasis upon
performers thus the Drottningholm theatre is de-emphasized,
costumes used for stage illumination,
evidence of racism and Ottomans [Turks] are
confused with Moguls [Indians].)
.
Mozart, Wolfgang Amadeus;
"Die Zauberflöte"
(The Magic Flute),
Drottningholm Court Theatre
(Blind loges clearly seen, especially during the overature),
flats painted to show linear-perspective (scaenographic
palladian flats), flats display "changement à vue"
on several occasions. People emerge simultaneously from the wings.
theatre machinery includes thunder machine, lightning,
use of trap door (to allow the Queen of the Night to appear,
as well as disappear; when Papageno first asks Papagena's name),
cloud machine, tree arriving for Papageno to hang himself. Costumes:
illuminated, and use jewelery (girandoles, neclaces, sequins), also
use feathers, wigs, farthingales. Sensitive use of hand and facial
gestures (reminicent of "Ballet d'Action").
.
Mozart, Wolfgang Amadeus;
"Idomeneo",
Drottningholm Court Theatre
(Flats painted in perspective and in "changement à vue",
Stage machinery such as the wave machine can be seen.)
.
Mozart, Wolfgang Amadeus;
"La Finta Giardiniera"
(The Pretend Garden-Girl),
Drottningholm Theatre
(Similar to Molière: Commedia dell'Arte,
blind loges clearly seen, wonderful parody
of French choreography, a variety of theatre machines:
ligtning, wind, and rolling-thunder machines, flats
painted to show linear-perspective.)
.
Mozart, Wolfgang Amadeus;
"Le Nozze di Figaro"
(The Marriage of Figaro),
Drottningholm Court Theatre
Moving flats ("changement à vue") are not
to be seen; lightning appears in act 4, otherwise no
theatre machinery; mostly closeups targeting the
TV/Disneyland/Peter Sellars audience, thus the raked
stage with perspective flats are ignored except at the
end of act 2, and act 3 scene 1; blind loges (trumpet
boxes) are visible; costumes are good, but notably,
masks are used in act 4: (female goat, figaro as horned
[cuckold], masks as in Commedia dell'arte Arlequin).
.
Mozart, Wolfgang Amadeus;
"La Clemenza di Tito"
(The Clemency of Titus),
Drottningholm Court Theatre
(Blind loges clearly seen,
flats painted in perspective and in "changement à vue",
costumes show "turquerie" and "chinoiserie",
clothing and jewelery used to enhance stage illumination,
stage machinery such as trap doors, Swedish propaganda evident [well done!].)
.
Rameau, Jean-Philippe;
"Zoroastre opéra"
(Zoroaster),
Opus Arte, East Sussex, 2007,
Drottningholm Court Theatre
(Dramatic example of flats in "changement à vue"
and use of stage machinery.)
DVD Operas at Český Krumlov Palace Perspective-Theatre
Vivaldi, Antonio;
"L'Unione Della Pace, E Di Marte"
(The Union of Peace and Mars), 2011,
Český Krumlov Schloss Theatre
Raked stage, Flats with changement à vue, stage machinery,
use of candle lighting, Baroque illuminated costumes, Baroque
music using period instruments, performative rhetoric using chironomia,
unfortunately, no Baroque dance.
Hasse, Johann Adolf;
"Enia in Caonia" Serenata à 5 Voci con Varij Stromenti
Napoli, 1727, 2012
Český Krumlov Schloss Theatre
Raked stage, Flats with changement à vue, stage machinery,
use of candle lighting, Baroque illuminated costumes, Baroque
music using period instruments, performative rhetoric using chironomia,
unfortunately, no Baroque dance.
Porpora, Nicola Antonio;
"Siface" Dramma per Musica in Tre Atti, Libretto: Pietro Metastasio
Venezia, 1725, 2013
Český Krumlov Schloss Theatre
Raked stage, Flats with changement à vue, stage machinery,
use of candle lighting, Baroque illuminated costumes, Baroque
music using period instruments, performative rhetoric using chironomia,
unfortunately, no Baroque dance.
Written Material
Click links to browse written material:
ABCDEFGH
I
JKLM
Barber, Johnathan; "A Practical Treatise on Gesture:
Chiefly Abstracted from Austin's Chironomia. Adapted to
the use of Students, and Arranged According to the Method
of Instruction in Harvard University", Ulan Press., 1923
(Austin, Gilbert; "Chironomia, or a Treatise on Rhetorical
Delivery", 1806)
Barnett, Dene; with the assistance of Massey-Westropp, Jeanette;
"The Art of Gesture: The practices and principles of 18th century
acting", Carl Winter Universitätsverlag, Heidelberg, 1987
Barrow, Julia and Martin, Joanna (Eds.); "Nottingham
Medieval Studies 56", Brepols Publishers, 2012
Baxandall, Michael; "Giotto and the Orators: Humanist
observers of painting in Italy and the discovery of
pictorial composition, 1350-1450", Oxford Univ. Press, 1971
Beijer, Agne; "Court Theatres of Drottningholm and Gripsholm",
Benjamin Blom, New York, 1972
Berger, Anna Maria Busse; "Mensuration and Proportion
Signs: Origins and Evolution", Clarendon Press, Oxford, 2000
Bordwell, Marilyn; "Re-membering the Body: Rhetoric,
Performance, and Diogenes the Cynic", Journal for the
Anthropological Study of Human Movement, Vol. 9, No. 1,
1996, pp. 15-30
Brainard, Ingrid; "The Art of Courtly Dancing in the
Early Renaissance", West Newton, Mass., 1981
This book is not used on this site.
Britland, Karen; "Drama at the Courts of Queen Henrietta
Maria", Cambridge Univ. Press, 2006
Buchner, Dr. Alexander; "Musical Instruments through the
Ages", Urwin, Iris (translator), Spring Books, London
E.M.L.
Bukofzer, Manfred F.; "Music in the Baroque Era: from
Monteverdi to Bach", W. W. Norton & Co., 1947
E.M.L.
Calcagno, Mauro; "From Madrigal to Opera:
Monteverdi's Staging of the Self",
University of California Press, 2012
Campbell, Lily B.; "Scenes & Machines on the English
Stage during the Renaissance: A Classical Revival",
Barnes & Nobel, Inc., 1960
Caroso, Fabrito; "Courtly Dance of the Renaissance:
A New Translation and Edition of the 'Nobilità
di Dame' (1600)", Translated and Edited by Julia Sutton,
Dover, 1995
Carter, François; "Number Symbolism and Renaissance
Choreography", Dance Research: The Journal of the
Society for Dance Research, Vol. 10, No. 1, 1992,
pp. 21-39
Castiglione, Baldesar; "The Book of the Courtier";
Translated by Charles S. Singleton, Anchor Books, 1959
E.M.L.
Cherviakov, Aleksandr; "The Ostankino Palace-Museum: A
guide (Guidebook)", Raduga, Winnipeg Manitoba, 1985
Ching, Francis D.K.; "A Visual Dictionary of Architecture",
John Wiley & Sons, Inc., 1995,
Christout, Marie-Françoise; "Le Ballet de Cour au
XVIIe siècle", Minkoff, Genève, 1987
Clarke, Georgia and Crossley, Paul; "Arcitecture and
Language: Constructing Identity in European Architecture
c. 1000-c. 1650", Cambridge Univ. Press, 2000
Coffin, David R.; "Gardens and Gardening in Papal Rome",
Princeton Univ. Press, 1991
Contadini, Anna; Norton, Claire; (Eds.) "The Renaissance
and the Ottoman World", Ashgate Pub. Ltd., Chapter 7 "Turning
a Deaf Ear", Wright, Owen
Corbett, Edward P. J. and Connors, Robert J.; "Classical
Rhetoric for the Modern Student", Fourth Edition,
Oxford Univ. Press., 1999
Galilei, Vincenzo; "Dialogue on Ancient and Modern Music",
Yale Univ. Press, 2003
Gooden, Angelica; "Actio and Persuasion: Dramatic Performance
in Eighteenth-Century France", Oxford, Clarendon Press, 1986
Gorce, Jérôme de La (Directeur de recherche au CNRS);
"Féeries d'opéra: Décors, machines et
costumes en France 1645-1765", Caisse nationale des monuments
historiques et des sites, Éditions du patrimoine, Paris, 1997
Grootnboer, Hannke; "The Rhetoric of Perspective: Realism and
Illusionism in Seventeenth-Century Dutch Still-Life Painting",
Univ. of Chicago Press, 2005
Guest, Ann Hutchinson; "Choreo-Graphics: A Comparison of
Dance Notation Systems from the Fifteenth Century to the
Present", Gordon and Breach, 1989
Hammond, Sandra Noll; "Clues to Ballet's Technical History
from the Early Nineteenth-Century Ballet Lesson", Dance
Research: The Journal for the Society for Dance Research,
Vol. 3, No. 1, 1984, pp. 53-66
Hammond, Sandra Noll; "Steps through time: Selected Dance
Vocabulary of Eighteenth and Nineteenth Centuries", Dance
Research: The Journal for the Society for Dance Research,
Vol. 10, No. 2, 1992, pp. 93-108
Harris-Warrick, Rebecca and Brown, Bruce Alan (Eds.);
"The Grotesque Dancer on the Eighteenth-Century Stage:
Gennaro Magri and his World", Univ. Wisconsin Press, 2005
Harris-Warrick, Rebecca and Marsh, Carol G.; "Musical Theatre
at the Court of Louis XIV: Le Marriage de la Grosse Cathos",
Cambridge Univ. Press, 1994
This book is not used on this site as it is extremely detailed,
beyond the object of this site and the focus is upon Favier
choregraphic notation (also not discussed at length on this site).
However, there is a great deal of interest in this publication,
including dance geometry, singers and comedians, musicians on stage,
etc.
Hermogenes; "On Issues: Strategies of Argument in Later
Greek Rhetoric", Heath, Malcolm (Tr.), Oxford Univ. Press, 1995
Hewitt, Barbara (Editor); "The Renaissance Stage: Documents
of Serlio, Sabbattini and Furtenbach", Univ. of Miami
Press, 1958
Hilton, Wendy; "Dance and Music of Court and Theatre:
Selected Writings of Wendy Hilton", Pendragon Press, Stuyvesant,
New York, 1997
Hilton, Wendy; "A Life in Baroque Dance and Music:
Wendy Hilton, Susan Bindig", Pendragon Press, Hillsdale,
New York
Hilton, Wendy; "Dance of Court and Theatre, The French Noble Style: 1690-1725:
Wendy Hilton", Princeton Book Co., 1981
Houle, George; "Le Ballet des Fâcheux: Beauchamp's
Music for Molière's Comedy", Indiana Univ. Press.,
Bloomington, Indiana, 1991
Houle, George; "Meter in Music, 1600-1800: Performance, Perception,
and Notation", Indiana University Press, Bloomington, Indiana, 1987
Howard, Skiles; "The Politics of Courtly Dancing in Early
Modern England", Univ. of Mass. Press, 1998
Hudler, Melissa; "The Rhetoric of Dance in Orchestra, Pleasure
Reconciled to Virtue, and The Winter's Tale", Chapter Four of
Thesis, academia.edu., pp. 1-68.
Keller, Hermann; "Phrasing and Articulation: A Contribution to a Rhetoric
of Music", W. W. Norton, New York, 1973
King, Ross; "Brunelleschi's Dome: How a Renaissance
Genius Reinvented Architecture", Penguin Books, 2000
Kirstein, Lincoln; "Four Centuries of Ballet: Fifty Masterworks",
Dover Publications, New York City, New York, 1970
Knowles, John (Editor); "Critica Musica: Essays in
Honor of Paul Brainard",
Brainard, Ingrid; "The Speaking Body: Gasparo Angiolini's
Rhétorique Muette and the Ballet d'Action
in the Eighteenth Century", Gordon and Breach, 1996
Lambranzini, Gregorio; "New and Curious School of
Theatrical Dancing", Dover Reprint, 2002
Lamy, Bernard; "The art of speaking: written in
French by Messieurs du Port Royal" (English translation)
Land, Norman E.; "The Viewer as Poet: The Renaissance
Response to Art", Pennsylvania State Univ. Press, 1994
Laurin, Anna Paradiso; "Classical Rhetoric in Baroque Music",
Konstnärlig Masterexamen, Institution för klassisk
musik" (KMH), pp. I-XXXVIII
Lazzaro, Claudia; "The Italian Renaissance Garden: From
the Conventions of Planting, Design, and Ornament to the
Grand Gardens of Sixteenth-Century Central Italy", Yale
Univ. Press, 1990
Lee, Rensselaer W.; "Ut Pictura Poesis: The Humanistic
Theory of Painting", W. W. Norton & Company, Inc., 1967
Le Coat, Gerard; "The Rhetorical Element in Monteverdi's
Combattimento: A study in 'Harmonic Oratory'",
Western Speech Communication, Volume 39, Issue 3, 1975,
pp. 165-174
Lindley, David (Editor); "The court masque", Manchester
Univ. Press, 1984
Linthicum, M. Channing; "Costume in the Drama of Shakespeare
and his Contemporaraies", Russell & Russell, 1963
Longinus; "On the Sublime", Trans. Havell, H. L., MacMillan, 1890
Malm, William P.; "Japanese Music and Musical Instruments",
Charles E Tuttle Company, Rutland Vermont, 1959, pp. 261-275
E.M.L.
Mather, Betty Bang; "Dance Rhythms of the French Baroque:
A Handbook for Performance", Indiana Univ. Press, Bloomington,
Indiana, 1987, pp. 87-92, 119-125
McGee, Timothy J.; "Medieval and Renaissance Music: A Performer's
Guide", University of Toronto Press, 1985
E.M.L.
McGinnis, Katherine Tucker; "Moving in High Circles: Courts,
Dance, and Dancing Masters in Italy in the Long Sixteenth Century",
Doctoral dissertation, Chapel Hill, 2001
This book is not used on this site, but pp. 337-346 provides
interesting information about Jewish Renaissance artists such as:
Guglielmo Ebreo da Pesaro (Giovanni Ambrosio, after conversion),
Isacchino Massarano, Emanuel de Rabbi Jalomacis, Rabi Jacob Levi,
Leone Ebreo (all dance masters), and Salamone de' Rossi (musician,
provided with the privilege of not wearing the yellow star
identifying himself as Jewish by both Guglielmo I Gonzaga and
Vincenzo Gonzaga), Europa Rossi (sister of Salamone de' Rossi:
one of the first opera singers in the role of "Europa" under the
Gonzagas). Abramo dall'Arpa and Abramino dall'Arpa - harpists.
Davit da Civita (composer of madrigals). There was a Jewish
musical group under the Gonzagas, later moved to the Jewish Ghetto.
McGowan, Margaret M.; "Ballets for the Bourgeois", Dance Research,
2001, Vol. 19, 2, pp. 106-126
McGowan, Margaret M.; "Dance in the Renaissance: European Fashion,
French Obsession", Yale Univ. Press, 2008
McKinven, John A.; "Stage Flying: 431 B.C. to Modern Times",
David Meyer, Magic Books, 2000
Mei, Gerolamo; "Letters on Ancient and Modern Music",
Musicological Studies and Documents 3", American Institute
of Musicology, 1977
Melzer, Sara E. and Norberg, Kathryn; (Eds.), "From the
Royal to the Republican Body: Incorporating the Political
in Seventeenth- and Eighteenth-Century France", Univ. of
California Press, 1998
Mitrović, Branko; "Serene Greed of the Eye: Leon Battista
Alberti and the Philosophical Foundations of Renaissance
Architectural Theory", Deutscher Kunstverlag München
Berlin, 2005
Molinari, Cesare; "La Commedia dell'Arte", Arnoldo Mondadori,
Milan, 1985
Montagu, Jennifer; "The Expression of the Passions: The Origin
and Influece of Charles Le Brun's Conférence sur
l'expression générale et particulière",
Yale Univ. Press, 1994
Morgan, Luke; "Nature as Model: Salomon de Caus and
Early Seventeenth-Century Landscape Design", Univ.
Pennsylvania Press, 2007
Pallen, Thomas A.; "Vasari on Theatre", Southern Illinois
Univ. Press, 1999
Parker, Roger and Smart, Mary Ann; (Eds.), "Reading Critics
Reading: Opera and Ballet Criticism in France from the
Revolution to 1848", Oxford Univ. Press, Oxford, 2001",
Part III: Reading Ballet, Chapter 10, by Smith, Marian;
"About the House", pp. 215-236
Peacock, John; "The Stage Designs of Inigo Jones: The European
Context", Cambridge Univ. Press, 1995
Pierce, Ken; "Dance notation systems in late 17th-century France",
Early Music, 1998, pp. 286-299
Pierce, Ken; "Repeated Step-Sequences in Early Eighteenth Century
Choreographies", in "Structures and Metaphores in Baroque Dance",
Proceedings of the Conference at the University of Surrey, Roehampton, 2001
Pintore, Angela; "Musical Symbolism in the Works of Leon Battista
Alberti: From De re aedificatoria to the Rucellai Sepulchre",
Nexus Network Journal, Vol. 6, No. 2, 2004, pp. 49-70.
Pirrotta, Nino and Povoledo, Elena; "Music and Theatre from
Poliziano to Monteverdi", Cambridge Univ. Press, 1982
Pnofsky, Erwin; "Meaning in the Visual Arts", Univ.
of Chicago Press, 1955
Pnofsky, Erwin; "Perspective as Symbolic Form", Zone Books,
New York, 1991
Poesio, Giannandrea; "Giselle, Part II", Dancing Times,
Vol. 84, March 1994, pp. 563-573
Radice, Mark A. (Ed.); "Opera in Context: Essays on Historical
Staging from the Late Renaissance to the time of Puccini",
Amadeus Press, Portland, Oregon, 1998
Ranum, Patricia; "Audible rhetoric and mute rhetoric:
the 17th-century French sarabande", Early Music, 14(1),
Feb. 1986, pp. 22-40
Ranum, Patricia M.; "The Harmonic Orator: The Phrasing and Rhgetoric of the
Melody in French Baroque Airs", Pendragon Press Musicological Series, 2001
Ravelhofer, Barbara; "The Early Stuart Masque":
Dance, Costume, and Music", Oxford Univ. Press, 2006
Reilly, Kara; "Automata and Mimesis on The Stage of
Theatre History", Palgrave Macmillan, 2011
Roussau, François (or Ferdinand) Le; "A Collection
of New Ball- and Stage Dances, 1720", (Thorp, Jennifer; Ed.),
Lulu.com, 2008, ISBN: 978-1-4092-1328-4
Sachs, Curt; "World History of the Dance",
W. W. Norton & Co., 1963
E.M.L.
Sauter, Willmar and Wiles, David; "The Theatre of Drottningholm
- Then and Now: Performances between the 18th and 21st centuries",
Acta Universitatis Stockholmiensis, Stockholm Theatre Studies 4,
Stockholm University, 2014
Schwartz, Judith L.; "The passacaille in Lully's
Armide: phrase structure in the choreography and the
music", Early Music, vol. XXVI, No. 2, May 1998, pp. 300-320
Skeaping, Mary; "Ballet under the Three Crowns", Dance
Perspectives 32, New York City, New York, 1967
Smith, Douglas; "The Pearl: A True Tale of Forbidden Love in
Catherine the Great's Russia", Yale Univ. Press, 2008
Smith, Marian; "The Earliest 'Giselle'? A Preliminary Report
on a St. Petersburg Manuscript", Dance Chronicle, Vol. 23,
No. 1, 2000, pp. 29-48
Strong, Roy C.; "Festivals for the Garter Embassy at the
Court of Henri III", Journal of the Warburg and Courtauld
Institutes, Vol. 22, No. 1/2 (Jan.-June, 1959), pp. 60-70
Walker, C. Howard; "Theory of Mouldings", W. W. Norton & Co., 2007
Weaver, John; "The loves of Mars and Venus; a dramatick entertainment
of dancing, attempted in imitation of the pantomimes of the ancient
Greeks and Romans; as perform'd at the theatre in Drury-Lane", 1717,
Eighteenth Century Collections Online, British Library, London
Webb, Ruth; "Ekphrasis, Imagination and Persuasion in Ancient
Rhetorical Theory and Practice", Ashgate Publishers, 2009
Wittkower, Rudolf; "Architectureal Principles in the Age of
Humanism", Norton, 1971
Wittkower, Rudolf; "Sculpture: Process and Principles",
Penguin Books, 1977
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